Friday, January 30, 2026

Espresso based milk drinks – the Flat White

 For Mary.

 

First of all, if you don't have your copy of the Delonghi manual for your machine, you can download it here 

 

Overview: Finely ground coffee is placed in a basket with even finer holes on the bottom. This is placed in a handle and sealed tightly underneath a hot water 'shower'. Almost boiling water is run over the coffee grounds at fairly high pressure for a certain amount of time, dissolving  aromatic compounds into the water and draining it into a cup below.

Afterwards, milk is heated with steam and frothed up with the steam vapour. Then it is mixed with the coffee to make a delicious tasting beverage with luscious mouth-feel. Optionally a pretty picture is drawn on top using the foamy part of the steamed milk.

 

 Details: 

Portafilter – The portafilter is the device used to seal up the coffee grounds below the 'shower screen' in such a way as to contain the high pressure of the incoming water. It may be flat on the bottom or have one or two little spouts.

Two portafilter handles, one with two spouts, the other with none. Three different filter baskets are also shown.

 Filter baskets – As I understand it from the PDF users' guide, you received two filter baskets with your machine. One for a single shot and one for a double. Unless you are going to drink just a single shot of espresso, or are going to make a very small espresso/milk drink like a Cortado for example, you probably want (at least) two shots. I always use a 20 g basket with 18 g of coffee, but I only have one per day!

Coffee beans being weighed out on a scale. There is 18 g of coffee.

 Note that I am using whole beans here, most 'normal' people would simply buy pre-ground coffee. Make sure when you do though, that your coffee is marked as being ground for espresso. This will be a lot finer than coffee ground for other methods of coffee extraction like drip filter, siphon, V60, AeroPress etc. If you use too coarse a grind in your espresso machine, you will not be able to tamp it compact enough to resist the high pressure at which espresso machines operate. As a result the hot water will run through far too quickly and won't have time to dissolve the compounds which result in delicious coffee. Speaking of which…

 

Tamping –  the users' guide says you also have a tamper. Indeed Delonghi is quite renowned for the quality of the metal tampers they provide with their espresso machines. So insert your chosen basket into the portafilter and measure out the amount of coffee you require.

 There is an intermediary step here that almost every coffee nut does these days so I'll point it out. Sometimes the ground coffee can be a bit 'clumpy' and if you tamp it in that state the clumps and the non-clumps will end up at different densities giving an easier route for the water to travel through the puck leading to uneven extraction. I use a WDT (Weiss Distribution Technique) tool which is a number of acupuncture needles in a handle, to break up any clumps before proceeding with the tamping. If you feel it would help, you can emulate that with a toothpick or cake testing skewer. 


 

A few notes on tamping. You can only get ground coffee compressed so much, after that you're not making any further difference. Push as hard as is comfortable, no more. If using a spouted portafilter handle, be sure not to rest on the spouts while tamping. You could deform or even break them. Most spouted handles will have an obvious place where you are intended to rest the base on the edge of your bench. See the front of the double spouted version in the first photograph.

And the most important rule of tamping is, tamp level. If the surface of the coffee puck has a slope from one side to the other, more water will pool in that side and there will also be less depth of coffee at that side. This will result in uneven extraction.


 After tamping you can 'polish' the top of the puck by removing pressure and gently turning the tamper a half to one full turn. 

 

Tamp firmly and evenly. Polish afterwards with no weight.

So that is all the puck preparation. It runs to a few paragraphs but after a couple of times it will only be the work of a minute or two. Now it's time to extract some espresso.

 

Coffee extraction – Moving carefully so as not to knock the basket and disturb the carefully prepared bed of ground coffee, insert the portafilter into the group head aligning its handle with “INSERT”, then turning it to the right until it is aligned in the “CLOSE” position.

Position a receptacle under the portafilter output, probably just as easy to use the cup you intend to drink out of, if it fits. I believe the cup tray is adjustable. You should warm the cup with hot tap water before starting.

Press the appropriate 1- or 2-cup button and behold the magic!

 

Frothing the milk – More words have been written and spoken on video on this topic than any of the rest of the specialty coffee subject. I don't intend to add many more. Practice is your friend here. There are a gazillion videos on YouTube under froth (or foam) milk for latte/cappuccino/flat white, and they all say pretty much the same thing.

Put milk into a small stainless steel steaming jug up to the bottom of the spout. Press the 'Steam' button and the light will flash for a moment. Once the light is solid pull the wand out at 45° and right at 45° and put the tip just under the surface of the milk and turn the steam dial to 'Steam'.

Keep the tip of the wand just under the surface to inject air for 6-10 seconds then lower the tip and use the angles to create a vortex which will smash down the big, but not too big, bubbles you've created into a luscious micro-foam.

Once the side of the jug is too hot to hold, when the milk is between 60°C and an absolute maximum, I'm not kidding, go no higher, 65°C turn the steam off and put the jug down somewhere safe.

Immediately wipe down the outside of the wand tip and scoosh a couple of blasts of steam through. You really do not want old dried milk up in there.

Now pour the milk into the espresso, swirling as you go.

 

Latte art can wait. 






Saturday, September 12, 2020

Scallion Pancakes

Scallion Pancakes


Don't mind if I do da do da do da do!

Nom nom nom

Two scallion (spring onion) pancakes topped with marinated green and black olives sit on a white plate beside a small bowl with a mushroom soy sauce, black vinegar and chilli oil dipping sauce.

Just like 郑老师 taught us way back in '88.

Friday, January 10, 2020

Pantry reorganisation


The state of my pantry finally became too much to bear and I had to pull everything out and start again.

Being the type of person I am, as soon as I decided that, I promptly spent the next 50 minutes procrastinating by setting up a tripod, camera, light stand, lighting, etc.

Here's a potato-quality behind the scenes shot from my iPhone 4 camera.

BTS


And here is the action from that POV.


Lights, Camera, Action!

I ended up with more room although I threw out very little. There are some large Tupperware-type containers that were jammed in the bottom shelf that are in another cupboard now. It remains to be seen how this works from a useability viewpoint.

Anyway, carry on.

Good light,
Jim

Wednesday, June 22, 2016

Hinge mounting


Here are the steps I take to mat and hinge mount a piece of art in a small frame.

The artwork here is one of two prints my mother has by Jan Rasmussen, which she wanted framed. This one shows the cathedral in Christchurch, New Zealand prior to the devastating February 2011 earthquake.





If you have any questions about the steps, feel free to leave them in the comments or you can find me on Twitter, @JustJimWillDo. Hopefully at some stage I'll get time to annotate each of the steps individually.

Good light.

Wednesday, May 18, 2016

New Camera unboxing

My poor hardworking and venerable Nikon D90 is on its last legs. Bits have fallen off, a connector cover won't stay shut, the card slot doesn't reliably grab cards, the connection between the battery grip and the body is sloppy and sometimes it just doesn't even turn on.

It was time for something new.

For many reasons, not least was total cost given that I have a bunch of Nikon F-mount glass, was the newly released Nikon D500. 

It arrived yesterday and here are some unboxing shots. These might be the final photographs taken by my beloved D90. It has served me well over the years.

Let's get started
Overnight delivery - you don't want to wait
Mmmm, bubblewrap!
Another addition to my gold box collection
Small ouchie - no big deal
I was wondering where they were
Extra genuine battery
Good sized lens cloths
Manuel - he's from Barcelona
A little bit of gutter creep
Another addition to my charger collection
I had to check the parts list - cable connectors
A big boys strap! Never had one with the number before. Still won't be using it though.
Battery and USB cable
And here it is…
…the last camera I'll probably ever buy.
And here is a little burlesque strip-tease for you!

Yeah, Baby!

Friday, December 11, 2015

Best of 2015

I haven't done one of these for some time but I saw Jim Goldstein's tweet referring to his annual blog project to collect photographers' "Best of year" links, so I thought I'd have a look and see what I'd done during the year that was 2015.

The first thing I looked at was my Lightroom catalogue to find that there were a shade under 1,800 shots with metadata showing the year of 2015. Keep in mind that I delete any totally unusable (accidental release, hugely under/over-exposed, totally out of focus) or unwanted (sky or ground shots used to mark the end of a sequence, kids' or drunks' "take my photo, take my photo, take my photo") shots. The ~1,800 shots remaining represent, in the 'old money' that I still sometimes think in, an average of one roll of film per week. I need to make an effort to up this rate next year.

A surprising split this year was that I took slightly more shots with my Nikon D5000 than with my D90 (908 to 857). I think this is because I picked up a Lowenpro Passport Sling bag on special from Cameras Direct and it was an easier fit with the D5000 than with the D90. My D90 always has the battery pack/grip on it, mostly because I've lost the original battery compartment cover!
My Lowenpro Passport Sling bag and it's usual contents
Daily carry bag

Another interesting statistic that I noticed from my Lightroom catalogue data was my use of lenses this year.
Column graph showing lens usage during 2015
I love that 60mm lens!

Moving from Lightroom to my main on-line presence, Flickr, I find that I have posted a mere 172 photos this year. This really needs to be picked up. Still, I suppose it's better than my poor 500px account which was given a miserly 15 shots for the whole year (and five of them were from a series shot on the same day).

And so to my actual favourite shots of the year. I narrowed them down to ten, in which there is one insect macro, two abstracts, three flower macros, two landscapes, one street shot and one Photoshop composite. There are a total of seven people in these ten shots, but six are in one photo and they only take up about one eighth of the area of the image.

Let me put them in order for you, from January 1 to December 3.



New Year's Day. Looking out the privacy glazed window of my bathroom I was taken by the resemblance to Andreas Gursky's Rhine II. I may have been hung over, but hey, if you want to pay 4.3 million dollars I'll print you this photo and destroy the negative.
Abstract image showing green area, brick pattern and wooden dowel
Green

At the end of the month of January, in preparation to whisking up a vinaigrette for a salad dressing, I poured some olive oil, red wine, lemon juice and balsamic vinegar into a white bowl. Dinner was delayed for some time while I set up some lighting and shot this.
Abstract image showing oil, wine and vinegar layering
Sol

One Friday in late February, having missed my intended train from Footscray station I had some time to kill. I took to riding the escalators and exploring what I could see of the different eras of architecture that was available. I noticed this young lady watching me and pointed my camera away from her to ease any tension she may have felt. I still took this shot though.
Photo showing upwards escalator with a young lady reflected off the glass side
Reflections

The following Saturday I took a little photowalk around my neighbourhood. This was during a professionally stressful period while I was developing a database to collect and manage information to allow the Education Department to allocate millions of dollars in funding. I needed some peaceful imagery. I managed to get two favourites on the same day.
Photo showing blue and pink flowers
bluepink
Photo showing purple flowers
Purple Trumpets

As autumn approached, in March my favourite (ok, my only) niece got married in a beautiful location in country Victoria. I wasn't the wedding photographer (the name's Billy, not Silly!) but of course I took a camera.
Photo showing bridal party on a pier by a lake in an Australian bush setting
Alix's Wedding

I dislike square landscape shots but in May, after a walk along the Lerderderg River near my place I had a bunch of exposure bracketed shots and well, seeing as Lightroom was now offering baked-in HDR and Photoshop had baked-in panorama stitching, how could I not experiment? Some of it was awful, some awesome!
Photo (HDR and stitched) showing the Lerderderg River in Darley, Victoria, Australia
Double river view

There are places in the world where winter is bleak and miserable. In Victoria, Australia, we mostly just get different pretty flowers to shoot. Wattles, acacias, and literally five minutes walk down the road from me, this gorgeous thing.
Photo of a pincushion hakea flower
Pincushion Hakea

Throughout this year I have been applying myself to learning to do more in post-processing using Photoshop. I really like where I got to with this moth macro overlaid with some grungy textures.
Photo of a moth with a grungy texture overlay
Moth (textured)

This brings me up to just last week! A composite shot of 19 (it was 20, but salt crystals are hard to shoot!) individual shots of various herbs, spices and other condiments from my pantry. This is the first image in probably 30 years that I deliberately made with the plan of printing it in a large format.
Photo composite of herbs, spices and other condiments. Has text inlaid reading "There are those who say that the plural of spouse is spice"
Spices

Well thanks for taking the time to look at my pictures and read my nonsense! I'd love to hear from you in the comments below, if you could spare a moment or two.

The next year should be very interesting, photographically. I have now officially retired from work, so I have much more time to spend on artistic endeavours. I have also bought myself a present of a large (-ish) format printer and will be expending more effort into print making and presentation. There's fun to be had!

Good light, my friends, good light.

Monday, October 19, 2015

Email to my Federal MP

The following is the text of an email I sent today (19/10/15) to Catherine King.

If you find any of it useful, please feel free to use it in writing to your MP.

Email addresses for MPs can be found on the Australian Parliament House website.

=======================================

Hon Catherine King MP
Federal Member for Ballarat
5 Lydiard Street North
Ballarat, Vic, 3050

via email

Dear Ms King,

I understand from reports in the press that your colleagues Melissa Parke and Anna Burke have put a motion on the notice paper for next Tuesday's Caucus meeting calling for further debate on the ALP's position on asylum seekers and in particular calling for an end to the inhumane concept of indefinite detention.

As a constituent of the federal district of Ballarat, I urge you to take this opportunity to listen to, and to reflect in the Caucus room, the position of a great many people in Ballarat and the surrounding region. That is, that we welcome refugees and we abhor the bigoted and racist treatment currently being dealt to asylum seekers both in Australia and especially in our overseas prisons and torture camps.

Please take the opportunity in Caucus to remind your leader, Mr Shorten, that the Australian people want to see everyone treated fairly and with respect. This especially applies to those among the asylum seekers who are even more vulnerable than most; the children, the pregnant women and those suffering mental illness (probably caused by our treatment of them in the first place).

In short, please Ms King, I ask you to participate in and to encourage among your entire party, a full and frank discussion of how best to set policy that is fair, humane and reflects the standards of behaviour that we Aussies expect.

Yours,



Jim Campbell | DipBus(Admin) | ARGB
Database Consultant
m | xxxx xxx xxx
e | xxxxx@gmail.com


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